AZULEJO = POLISHED STONE


One thing you can say for sure, is that the Portuguese know tile — it is everywhere there! On a recent trip to Portugal, I was fascinated with the use of tile, not only in churches and ornate palaces, but also in ordinary houses, park seats, fountains, shops and even in metro stations. Tiles are not only used as decorations, but also as functional parts of the buildings themselves.

I learned the word for tiles is “azulejos.” Although many would assume the word is a derivation of azul (Portuguese for “blue”), the name actually comes from the Arabic word az-zulayj, roughly translated as “polished stone.”

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While in Lisbon, I visited the Museu Nacional do Azulejo (Lisbon’s Tile Museum). There I was able to see the development of tiles in Portugal from their beginnings to the present. The museum has five centuries (yes I said five!) of decorative ceramic tiles, which trace the history and production of the art form. There is also a conservation and restoration department, which can be viewed as you stroll through the museum.

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I found all of the tile I saw unique and lovely in its own way — whether portraying dramatic, historic scenes or simply serving as ornamental street signs, nameplates or house numbers. Of course, one of my most treasured mementos I brought back from my trip was a decorative tile!

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GRACED WITH LIGHT


Last February I was fortunate enough to see the “Graced With Light” art installation at Grace Cathedral in San Francisco’s Nob Hill neighborhood, before it was taken down. I had recently purchased a DSLR camera and was looking for a subject/place to practice using all of the buttons and settings that I didn’t have a clue about. I also had just started taking photography classes and was learning about “ISO/Shutter Speed/Aperture” and this thing they called “White Balance”…it was all Greek to me.

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“Graced With Light” was a music-inspired installation that featured nearly 20 miles (1,100 strands in total) of multicolored ribbons which cascaded from the church’s vaulted ceiling arches. It was designed by Anne Patterson, a New York installation artist and director, and was the cathedral’s 2013 artist in residence.

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The exhibit was definitely breathtaking to see in person. Believe me, these pictures do not do it justice. I also discovered other treasures about the church that day. Grace Cathedral’s main doors are a replica of Lorenzo Ghiberti’s “Gates of Paradise.” There is also a Keith Haring altarpiece, two labyrinths (one inside and the other outside of the church) and a statue of St. Francis of Assisi by the late San Franciscan sculptor Beniamino Bufano.

It was a day well spent in the city I call home. Sometimes I can’t believe how lucky I am to live here.

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